Dec 14
2021

The French promotion tour continues. Yesterday, Noomi attended another premiere for the film, this time in Paris. Pictures from the premiere have been added to the photo gallery, while scenes from the red carpet and post-screening Q&A can be found in the video archive. Enjoy.

Related Media:

Photo Gallery – Public Appearances – 2021 – “Lamb” Premiere (Paris)
Video Archive – Public Appearances- “Lamb” Paris Premiere (2021)

Dec 12
2021

Yesterday, Noomi was a guest on the ski slopes for the 13th edition of Les Arcs Film Festival in snowy Bourg-Saint-Maurice, France, to present “Lamb” as the festival’s opening night attraction. Pictures from the event have been added to the photo gallery. Edit: A lenghty interview with Noomi has been posted below and added to the video archive.

Related Media:

Photo Gallery – Public Appearances – 2021 – 13th Arcs Film Festival – Opening Ceremony
Video Archive – Public Appearances – 13th Arcs Film Festival Interview (2021)

Dec 09
2021

On Wednesday and Thursday, Noomi Rapace and director Valdimar Jóhannsson participated in a comprehensive media tour in the United Kingdom to promote Friday’s theatrical release of “Lamb”. There were various screenings and Q&As for the film throughout London. Pictures from all events have been added to the photo gallery.


Then, Noomi participated in two separate press junkets for the film. Clips from both, as well as a clip from the Q&A at the British Film Institute have been added to the video archive. Check the list below for a complete list of updates. Enjoy.

Related Media:

Photo Gallery – Public Appearances – 2021 – “Lamb” London Gala Screening
Photo Gallery – Public Appearances – 2021 – “Lamb” Screening at Screen on the Green
Photo Gallery – Public Appearances – 2021 – “Lamb” Screening at British Film Institute
Photo Gallery – Public Appearances – 2021 – “Lamb” Screening hosted by CAA
Video Archive – Career Videos – Lamb – Press Junket 01 (United Kingdom)
Video Archive – Career Videos – Lamb – Press Junket 02 (United Kingdom)
Video Archive – Public Appearances – Lamb Screening at British Film Institute (2021)
Video Archive – Podcasts – Times Radio with Mariella Frostrup (2021)

Dec 09
2021

Another fantastic interview with Noomi’s in yesterday’s i Newspaper: For a few years when she was growing up in Iceland, Noomi Rapace lived on a farm, but she was too young to get involved with any of the day-to-day labour. So when, on her first day on the set of her new film, Lamb, she had to drive a tractor and deliver a lamb, it was something of a baptism of fire. “I knew I could not f**k up,” she tells me over coffee in a London hotel. “But I didn’t have a lot of adrenaline. There was a strange calmness.” Still, her foray into midwifery left its mark. “The weirdest thing was the very specific smell. It just wouldn’t wash off. It stayed for a week or something.” The Icelandic film, directed by first-timer Valdimar Jóhannsson, was the break-out hit at this year’s Cannes Film Festival. Rapace, 41, plays a woman caught between two brothers, who loosely resemble Cain and Abel: she’s married to one and had previously been involved with the other. It is not the only biblical element to the tale; her character is called Maria, after all. When the childless couple discover a newborn in their barn, they are so excited that they fail to notice there is something odd about it – namely that it is half-lamb, half-human. The complete interview can be read over at i News – here’s Noomi’s quote on the recently wrapped “Django”, which will span over ten episodes:

I wanted to take a break. I had a Skype call with the director and writers who wanted to create a role. Then Nicholas Pinnock texted me for a coffee and I took him to work out with me in a climbing class. As we were leaving, he tells another friend: ‘I’m off to Romania tomorrow and Noomi’s going to play my sister’. And I thought: ‘I haven’t said yes yet’. The character is the most beautiful, brutal villain. I dream about her. I told the writers this, and some of my dreams have become part of the script. I have accepted imperfections and allowed myself to feel sadness, vulnerability and weakness. That’s not weakness. I was raised in a way never to cry, never show weakness. So I became very tough. I don’t want to live like that. I don’t want to accept that way of living, and carrying myself, to bleed into my son’s life. I want him to be a human that has access to all emotions, where everything is allowed.

Dec 09
2021

Noomi is featured in the recent international issue of The wrap Magazine, with an interview that can be read on their website as well: Noomi Rapace was sitting waiting for “the knock” on her trailer door, a sign that a mother sheep was ready to deliver a baby. She had just traveled hours to a small Icelandic village to film a movie about a hybrid lamb-human baby for six months and no money. And all her training didn’t prepare her for having to birth this little miracle on her first day of filming. “I was running down to the barn, and they were like, ‘The lamb is coming!’ OK, I’m just sticking my hands in here! I guess this is what we’re doing,” Rapace said. “It was the birth of the movie that kicked off everything, but from that point there was no return. I was just in it.” The emotional connection she formed in that moment carried through to her performance in Valdimar Jóhannsson’s “Lamb,” Iceland’s Oscar entry and a movie about coping with loss and how we go to extreme lengths to maintain a sense of normalcy. Rapace had been itching to return to art-house cinema and felt the “fragile” and “personal” story at its center was something she’d been waiting for “my entire life.” “I always need to bring it back to myself and find situations or periods in my life like an emotional mirror so I can dig into myself,” Rapace said. “I did go to places where it was really painful to be, of loss and heartbreak. How do you find your way back into life when you’re broke?” The complete interview can be read here.

Dec 02
2021

Another great article and interview can be found in today’s The Guardian: Noomi Rapace – the original Lisbeth Salander, AKA The Girl With the Dragon Tattoo – is sitting in the hotel bar with her sunglasses on top of her head. They disappear at some point during our conversation, though I don’t see them go. I do notice, however, when her black jacket, which has been draped around her shoulders, falls to the floor while she is flapping her arms pretending to be an eagle. This happens shortly after she has told me how she once wore a strap-on dildo in public. She really is a lot of fun and quite naughty. We were due to meet in a windowless room upstairs but she wanted a window. “They’d put us in a little prison cell,” she huffs, now looking out on to the back streets of London’s Mayfair. “I was like, ‘I can’t be stuck in there!’ It’s all about flows and energies.” The double espresso she asked for when she first got here has yet to arrive, so she orders another from a passing staff member, who brings it in a flash. Rapace, who is 41, does a quick inventory: “Window. Coffee. Ryan. Perfect.” Then her original order arrives. She looks up at her server in astonishment. “Is this ours? I love your lipstick, by the way, it’s really pretty.” She turns to me. “Do you want this? Let’s have it.” The next time I look down, both cups are empty. This is all worlds away from the forceful minimalism she brings to the unsettling new indie thriller Lamb. She plays Maria, who lives with her husband on a farm in the Icelandic countryside. It’s just the two of them, their sensible knitwear, their animals, and the unspoken pain of the past. “It’s like a family drama,” she says. “But with one obstacle that is a bit strange.” That’s putting it mildly. When a sheep on the farm gives birth to a half-human, half-lamb hybrid, the couple name her Ada, rock her like a baby, and adopt her as their own. Meanwhile, Ada’s birth mother stands outside, bleating sinisterly, refusing to budge. The complete interview can be read over at The Guardian.

Dec 02
2021

“Lamb” will be released in the United Kingdom on December 10, and a first string of promotional interviews with Noomi are being released as we speak. Here’s a great interview with NME: Noomi Rapace is never one to conform to Hollywood’s notion of what a leading woman should look like. From her scorching international breakthrough in The Girl With The Dragon Tattoo, the first of a violent, vengeful trilogy, to headlining Ridley Scott’s Alien prequel Prometheus, and now with her new horror Lamb, the 41-year-old Swedish actor has challenged femininity by opting for robust, often radical roles, over mainstream ideals. “I’ve always seen myself as a human rather than a woman,” she tells NME via video-call from a whitewashed, empty-looking studio in central London. “I’ve always felt alienated when they want to put me in a box, or when people expect me to behave a certain way just because my gender is female.” In Lamb, a surreal Icelandic folk tale which Rapace describes as “a beautiful, strange adventure”, she plays María, a grieving mother who finds new joy in life when Ada, a strange but innocent sheep-human hybrid, is born on the farm that she runs with her husband. For the actor, taking the role was instinctual, and not just because she herself had grown up on a farm in her native Sweden. “I felt like I didn’t have a choice, like my body and my mind and my heart had been waiting for this,” she says. “Maria found me, and I got lost in her.” The complete interview can be read over at NME.

Nov 26
2021

Another fantastic interview with Valdimar Johannsson and Noomi Rapace on the making of “Lamb”, courtesy Screen Daily. Waiting for a sheep to give birth straight into the hands of lead actress Noomi Rapace was just one of the challenges of making Lamb, Icelandic filmmaker Valdimar Johannsson’s debut feature, which created a stir in Cannes’ Un Certain Regard and has become the highest-grossing Icelandic film released in US cinemas (thanks to A24). The story follows an Icelandic couple (Rapace and Hilmir Snaer Gudnason) living on a remote farm who adopt a mysterious newborn, not quite sheep, not quite human, naming it Ada. Known for her booming international career with roles in the Swedish adaptation of The Girl With The Dragon Tattoo (and its two sequels), The Drop, Child 44 and Amazon series Tom Clancy’s Jack Ryan, Rapace was born in Sweden but grew up in Iceland. Lamb gave her a chance to return to those roots. Co-scripted by Johannsson with Icelandic screenwriter and novelist Sjon, Lamb is an Iceland-Sweden-Poland co-production, produced by Hronn Kristinsdottir and Sara Nassim at Go To Sheep alongside Piodor Gustafsson and Erik Rydell at Black Spark Prod, and Klaudia Smieja-Rostworowska and Jan Naszewski at Madants. Naszew­ski’s New Europe Film Sales handles international sales. The full interview can be read here.

I grew up on a farm, [with] life and death present all the time. The circle of life is right there in front of you… and the Icelandic folklore is kind of baked into everything. My grandmother would say, “We can’t ride across this hill because we don’t want to upset the elves.” It was very much a part of life and not seen as something strange.

Nov 14
2021

The Hollywood Reporter has published an interview with Noomi Rapace and Valdimar Jóhannsson – too late for its theatrical release in October, but maybe just in time for the upcoming awards season. In A24’s Lamb, Noomi Rapace’s most memorable co-star is a half-human, half-sheep newborn named Ada. As Maria, who runs a farm with her husband (Hilmir Snaer Gudnason) in remote Iceland, Rapace weathered a logistically complicated shoot that included actual nightmares. The resulting film, helmed by first-time director Valdimar Jóhannsson, who co-wrote it with frequent Björk collaborator Sjón, is an eerie, intermittently funny slice of folk horror. Rapace and Jóhannsson spoke to THR about how they made the movie and why they resist the temptation to classify it as a genre film.

Maria is a heavy character. She’s been through a lot of anguish, and she’s desperate to be a parent.
Noomi Rapace: It’s brutal to open up yourself for the emotions of losing a child. When Valdimar and his producer came to London and gave me this divine, disturbing package of the script and his lookbook, and I started to explore this world, I knew that it was a brutal, beautiful world. I knew I would need to get lost in it somehow, and I accepted that. But there were also moments when we were shooting it where I wasn’t sure where Noomi ends and Maria starts. It was quite intense. I couldn’t really sleep. In the summer in Iceland, it doesn’t really get dark. I was losing my mind.

The complete article can be read over at the The Hollywood Reporter.

Nov 09
2021

A big batch of additional production stills from “Lamb” have been added to the photo gallery, alongside a couple of new on-set pictures and international posters. I have been keeping my fingers crossed for today’s announcement of the European Film Award nominations, but besides a well deserved nomination for the best film by a first-time director, “Lamb” didn’t make the cut in any other categories. It would have been a fitting honor for Noomi to be recognized 10 years after her nomination for “The Girl with the Dragon Tattoo”. Anyway, have a look at the new pictures below.


Related Media:

Photo Gallery – Career Photography – Feature Films – Lamb – Production Stills
Photo Gallery – Career Photography – Feature Films – Lamb – On-Set Pictures
Photo Gallery – Career Photography – Feature Films – Lamb – Posters & Key-Art